Beyond the Label · Session 4 · free preview

The Conductor's Metronome

Andrew · Matthew 10:1–4; Mark 3:13–19 (with Mark 10:41–45)

Jesus chose Andrew to be with him and to be sent; steady, shared service flows from being with the Servant who gave his life.

Setting the Scene

Draft illustration for The Conductor's Metronome.

Picture the hills above the Sea of Galilee before dawn, sometime around AD 28 to 30; nobody can fix the year more closely. Imagine the cold of the high ground, dew heavy on the scrub, and far below the lake lying grey and still. Somewhere on the slope a man has been praying through the whole night. Luke tells us so. As the sky pales behind the hills across the lake, he stands and begins to call names.

Picture the people gathered on the hillside below, a mixed crowd of followers who have come up from the fishing villages and the towns around the lake. Some are fishermen with cracked hands. One has collected taxes. One has been called a zealot. Nobody applied for what is about to happen. Jesus calls those he wants, and they come up to him.

The names are spoken one at a time. Simon comes first. And standing near him, as he has stood near him all his life, is his brother. Listen for the name.

The map

Up the mountain

From the lakeside towns to the hills.

  • The mountain Mark 3:13–19
  • Capernaum Mark 1:21, 29; 2:13–14
  • Bethsaida John 1:44

One question to start

1Level 1: Observation

Compare Matthew 10:2–4 with Mark 3:16–19. How is Andrew described in each, and where does his name come? What does Mark 3:14–15 say the Twelve were appointed to do?

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